This harpsichord is one of the last of its kind. It was produced by John Broadwood at a time when pianos were fast becoming the instruments of choice for both private homes and concert halls. It has wooden slats controlled by a pedal that may be used to alter its volume as well as a range of different options for the player to select, including using leather instead of quilll to pluck the strings and a mute effect.This instrument is the last dated harpsichord made by the firm of Shudi and Broadwood known to have survived, and the only one signed by Broadwood alone. This instrument has the same machine pedal and swell pedal as the 1766 Shudi harpsichord; mechanical devices such as these became very common on later harpsichords. One set of jacks in the harpsichord originally had leather plectra instead of quill to produce a different timbre or quality of sound. (Raymond Russell Collection).
Technical description: Single-manual English harpsichord. Compass 61 notes F₁ - F₆ [FF - f''']. Three sets of strings; 2 × 8-ft, 1 × 4-ft with lute, harp, machine stop, and venetian swell. Two pedals; the right operating the swell, and the left the machine stop.
Signature/Marks: Inscribed on the nameboard "Johannes Broadwood Harpsichord 1793 / No 1155 Great Pulteney Street Golden Square".
Decoration: Case is of mahogany with cross-banding also in mahogany. The natural keys are of ivory with boxwood mouldings; the accidentals of ebony.
Repair History: One row of jacks originally had leather plectra instead of the usual quill. The music desk is a replacement. Restoration work including re-stringing and re-voicing by John Raymond in 1992.
Provenance
Bought by Raymond Russell from the Dolmetsch workshop in 1955; formerly in Blüthner's Pervivale workshops.
; Gift of Mrs Gilbert Russell, 1964.