Two years before Robert Falkener produced this harpsichord he was taken to court by the famous maker Jacob Kirkman, whose instruments commanded a high price. Kirkman accused Falkener of forgery. We don’t know the outcome of the case, but Falkener used Kirkman’s name on this instrument, even though it wasn’t a direct copy of a Kirkman harpsichord.Although this instrument bears an inscription suggesting it was made by the Kirkman firm, and that it looks much like their usual output, an inscription under the soundboard records that it was actually made by Robert Falkener. Falkener worked for Kirkman but made at least two instruments himself which were passed off as Kirkman’s work, obviously with the intent of selling it for a higher price than his own instruments would be worth. The instrument is excellent sounding, although the machine stop mechanism works in a manner different to Kirkman’s usual operation.
Robert Falkener was a harpsichord builder who worked in London just off Fleet Street. It is thought he may have been from Germany and changed his name from Rudolph to Robert when he arrived in England. Falkener may also have written a small instructive text on harpsichord accompaniment which was published in 1762 and 1774. Falkener appears to have created fake instruments with inscriptions to the famous harpsichord maker Jacob Kirkman. There was a case brought to court by Kirkman against Falkener but the result is not known. It is thought the case was settled out of court.
Made In
City
London
Country
England
Description
Technical Description
Technical description: Double-manual harpsichord. Compass 60 notes F₁,G₁ - F₆ [FF,GG - f''']. Three sets of strings, 2 × 8-ft, 1 × 4-ft. Lute (proximal 8-ft), Buff (distal 8-ft). The machine stop uses two pedals as an alternative to handstops. Rose bears the initials "IK" for Jacob Kirckman.
Signature/Marks: Signature written in pen and ink on the name batten "Jacobus Kirkman Fecit Londini 1773" (false). in pencil under the soundboard "Robert Falkener London Fecit 1773 September".
Decoration: Case is veneered in mahogany and crossbanded.
Repair History: Machine stop added later. Restored by J.J.K. Rhodes and W.R. Thomas in 1953; later work by John Barnes; repair to keyboards, re-stringing and revoicing by John Raymond, 2004.
Provenance
Probably owned by General John Reid (1721-1807) whose bequest to the University took effect in 1839.
; Reid Collection.