Cellos are versatile instruments within the orchestra and as well as playing bass lines are used to play rich melodies. They are often supported by double basses, which sound an octave lower. This cello was made in Edinburgh sometime between 1786 and 1825, when Daniel Dewar worked at various addresses near here including Burnet’s Close, Toddrick’s Wynd (both off the High Street) and Chalmer’s Close (off Canongate). Judging from the number of repairs which can be seen on the instrument, it must have been played a lot over its lifetime, suggesting it is a good instrument.
Specific usage history: Played by Lyndesay G. Langwill before he took up the bassoon c. 1930.
Technical Description
This cello has a soundboard made of spruce; ribs, back, neck and scroll made of sycamore; fingerboard, tailpiece, pegs and tail-gut protector made of ebony. Its soundboard has a medium to close grain, closest in the centre, widest at the middle of each side. Marks show other bridge positions 3-4mm below the current position. Ebony/sycamore/ebony purfling on soundboard and back; the channel on the back has been poorly cut. Fine quality golden varnish. Two piece back, finely figured, rising from the centre to the edges. The neck has been re-set, as seen by a joint in the heel 83mm from the back. Finely figured neck and well cut scroll.
Measurements: Neck length 267mm; fingerboard length 538mm, width at nut 28.1mm, at bottom 63.0mm. Arch of soundboard 27mm; arch of back 32mm.
Repair History: Large number of repairs, including both of the lower bouts and many large soundboard cracks repaired. A couple of added patches of wood on the ribs, particularly on the treble lower bout.
Inscription: Stamped "DEWAR" on the back at the top, just below the purfling. Handwritten notice inside recording a repair by James Hardie, 1890.
Playing accessories: tail-pin; 2 fine tuners, wolf suppressor. With canvas case.
Large number of repairs, including both of the lower bouts and many large soundboard cracks repaired. A couple of added patches of wood on the ribs, particularly on the treble lower bout.
Associated with bow (1605).
Illustration references: Vol. 1 p.57.
Specific usage history: Played by Lyndesay G. Langwill before he took up the bassoon c 1930.
Previous ownership: L.G. Langwill, father of the donor.
Current ownership: Gift of Mrs. Joyce Rasch, 1983.
Provenance
L.G. Langwill, father of the donor.
; Gift of Mrs Joyce Rasch, 1983.